Ästhetik und Lernen

Die Arbeitsgruppe Ästhetik und Lernen untersucht, wie ästhetische Erfahrungen eine Quelle des Lernens sein können - und was genau durch ästhetische Erfahrungen gelernt werden kann. Dabei verfolgt sie einen kombinierten Ansatz, der darauf abzielt, Erkenntnisse aus kontrollierten experimentellen Laborsettings auf ökologisch valide, lebensnahe informelle Lernsituationen zu übertragen. Ein besonderer Schwerpunkt liegt auf dem Lernen in Museen.

Fokus der Arbeitsgruppe

Ziel der Forschung ist es, allgemeingültige Muster aufzudecken und zu verstehen, welche Faktoren (z.B. die Art der Medien, mit denen Menschen interagieren) die ästhetische Erfahrung und den Lernprozess beeinflussen und formen können. Dabei geht die Arbeitsgruppe von einem sehr breiten Lernkonzept aus: Neben dem reinen Wissenserwerb werden auch Prozesse wie Sinnbildung, erfahrungsbasiertes Lernen, epistemische Emotionen und episodisches Gedächtnis berücksichtigt. Die Arbeitsgruppe verwendet eine Vielzahl von Methoden (z.B. Eye-Tracking, Virtual Reality), die die komplette Bandbreite von computerbasierten Aufgaben bis hin zu realen Interaktionen abdecken.

Mitarbeitende

Publikationen

 

Artikel (peer-reviewed) | Bücher und Buchbeiträge | Sonstige Publikationen

Artikel (peer-reviewed)

  • Fekete, A., Specker, E., Mikuni, J., Trupp, M. D., & Leder, H. (2025). When the painting meets its musical inspiration: The impact of multimodal art experience on aesthetic enjoyment and subjective well-being in the museum. Psychology of Aesthetics, Creativity, and the Arts, 19(6), 1549-1564. https://doi.org/10.1037/aca0000641

    Open Access


  • Knoll, A. L., Mikuni, J., & Specker, E. (2025). Looking at people looking at art: Observations of art interactions in an everyday urban environment. Frontiers in Psychology, 16, Article 1658946. https://doi.org/10.3389/fpsyg.2025.1658946

    Open AccessDatenStudienmaterialCode


  • Ruta, N.*, Schino, G.*, Wolfe, B., & Iosifyan, M. (2025). Ready-made bodily sensations. Scientific Reports, 15, Article 30223. *shared first authorship. https://doi.org/10.1038/s41598-025-14061-5

    Open Access


  • Specker, E., Cotter, K. N., & Kim, K. Y. (2025). The next step for the VAIAK: An item-focused analysis. Psychology of Aesthetics, Creativity, and the Arts, 19(4), 684-695. https://doi.org/10.1037/aca0000559

    Open Access


  • Specker, E. (2025). A personal perspective on psychology of aesthetics and the arts: Ecologically valid, interdisciplinary, and diverse methodologies. Creativity Research Journal, 37(2), 293-300. https://doi.org/10.1080/10400419.2023.2269339

    Open Access


  • Rodriguez-Boerwinkle, R.M., & Specker, E. (2024). Building bridges: The importance of bringing together the empirical sciences & the humanities. Itinera, 28, 34‑50. https://doi.org/10.54103/2039-9251/27833

    Open Access


  • Hostler, T., Poerio, G., Nader, C., Mank, S., Lin, A., Villena-González, M., Plutzik, N., Ahuja, N., Baker, D., Bannister, S., Barratt, E., Bedwell, S., Billot, P.-E., Blakey, E., Cardini, F., Cash, D., Davis, N., Del Sette, B., Erfanian, M., ... Zehetgrube, J. (2024). Research priorities for autonomous sensory meridian response: An interdisciplinary Delphi study. Multisensory Research, 37(6-8), 499-528. https://doi.org/10.1163/22134808-bja10136

    Open Access


  • Pelowski, M., Cotter, K. N., Specker, E., Fingerhut, J., Trupp, M. D., & Speidel, K. (2024). How lasting is the impact of art? An exploratory study of the incidence and duration of art exhibition-induced prosocial attitude change using a 2-week daily diary method. Psychology of Aesthetics, Creativity, and the Arts. Advance online publication. https://doi.org/10.1037/aca0000670

    Open Access


  • Specker, E.*, Douda, M.*, & Leder, H. (2024). How do we understand artworks? Exploring the role of artwork inherent features in art processing. Empirical Studies of the Arts, 42(2), 469-497. *shared first authorship. https://doi.org/10.1177/02762374231201074

    Open Access


  • Specker, E., Knoll, A. L., Barrière, T., & Leder, H. (2024). Varieties of aesthetic experience: Considering breadth, length, and depth. Nodes, 23, 85-91. https://doi.org/10.57633/NODES-23/2-ENG

    Open Access


  • Specker, E. (2024). Further validating the VAIAK: Defining a psychometric model, configural measurement invariance, reliability, and practical guidelines. Psychology of Aesthetics, Creativity, and the Arts, 18(3), 449-462. https://doi.org/10.1037/aca0000427

    Open Access


  • Knoll, A. L., Barrière, T., Weigand, R., Jacobsen, T., Leder, H., & Specker, E. (2024). Experiencing beauty in everyday life. Scientific Reports, 14, Article 9463. https://doi.org/10.1038/s41598-024-60091-w

    Open Access


  • Kühnapfel, C., Fingerhut, J., Brinkmann, H., Ganster, V., Tanaka, T., Specker, E., Mikuni, J., Güldenpfennig, F., Gartus, A., Rosenberg, R., & Pelowski, M. (2024). How do we move in front of art? How does this relate to art experience? Linking movement, eye tracking, emotion, and evaluations in a gallery-like setting. Empirical Studies of the Arts, 42(1), 86-146. https://doi.org/10.1177/02762374231160000

    Open Access


  • Pelowski, M.*, Specker, E.*, Boddy, J., Immelmann, B., Haiduk, F., Spezie, G., Ibáñez de Aldecoa, P., Jean-Joseph, H., Leder, H., & Markey, P. S. (2023). Together in the dark? Investigating the understanding and feeling of intended emotions between viewers and professional artists at the Venice Biennale. Psychology of Aesthetics, Creativity, and the Arts, 17(6), 772-792. *shared first authorship. https://doi.org/10.1037/aca0000436

    Open Access


  • Boddy, J., Brinkmann, H., Specker, E., Forster, M., Leder, H., & Rosenberg, R. (2023). The universality of aesthetic effects. Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, 68(2), 148-170. https://doi.org/10.28937/9783787345656_13

    Open Access


  • Fekete, A., Pelowski, M., Specker, E., Brieber, D., Rosenberg, R., & Leder, H. (2023). The Vienna Art Picture System (VAPS): A data set of 999 paintings and subjective ratings for art and aesthetics research. Psychology of Aesthetics, Creativity, and the Arts, 17(5), 660-671. https://doi.org/10.1037/aca0000460

    Open Access


  • Trupp, M. D., Bignardi, G., Specker, E., Vessel, E. A., & Pelowski, M. (2023). Who benefits from online art viewing, and how: The role of pleasure, meaningfulness, and trait aesthetic responsiveness in computer-based art interventions for well-being. Computers in Human Behavior, 145, Article 107764. https://doi.org/10.1016/j.chb.2023.107764

    Open Access


  • Specker, E., Arató, J., & Leder, H. (2023). How are real artworks and reproductions judged? The role of anchoring in empirical investigations of the genuineness effect. Journal of Experimental Social Psychology, 108, Article 104494. https://doi.org/10.1016/j.jesp.2023.104494

    Open Access


  • Specker, E., Fekete, A., Trupp, M. D., & Leder, H. (2023). Is a “real” artwork better than a reproduction? A meta-analysis of the genuineness effect. Psychology of Aesthetics, Creativity, and the Arts, 17(3), 294-306. https://doi.org/10.1037/aca0000399

    Open Access


  • Pittelkow, M.-M., Field, S. M., Isager, P. M., van’t Veer, A. E., Anderson, T., Cole, S. N., Dominik, T., Giner-Sorolla, R., Gok, S., Heyman, T., Jekel, M., Luke, T. J., Mitchell, D. B., Peels, R., Pendrous, R., Sarrazin, S., Schauer, J. M., Specker, E., Tran, U. S., ... van Ravenzwaaij, D. (2023). The process of replication target selection in psychology: what to consider? Royal Society Open Science, 10(2), Article 210586. https://doi.org/10.1098/rsos.210586

    Open Access


  • Trupp, M. D., Bignardi, G., Chana, K., Specker, E., & Pelowski, M. (2022). Can a brief interaction with online, digital art improve wellbeing? A comparative study of the impact of online art and culture presentations on mood, state-anxiety, subjective wellbeing, and loneliness. Frontiers in Psychology, 13, Article 782033. https://doi.org/10.3389/fpsyg.2022.782033

    Open Access


  • Fekete, A., Maidhof, R. M., Specker, E., Nater, U. M., & Leder, H. (2022). Does art reduce pain and stress? A registered report protocol of investigating autonomic and endocrine markers of music, visual art, and multimodal aesthetic experience. PLOS ONE, 17(4), Article e0266545. https://doi.org/10.1371/journal.pone.0266545

    Open Access


  • Mikuni, J., Specker, E., Pelowski, M., Leder, H., & Kawabata, H. (2022). Is there a general “art fatigue” effect? A cross-paradigm, cross-cultural study of repeated art viewing in the laboratory. Psychology of Aesthetics, Creativity, and the Arts, 16(2), 343-360. https://doi.org/10.1037/aca0000396

    Open Access


  • Specker, E., & Leder, H. (2022). Testing the facsimile accommodation hypothesis. Acta Psychologica, 222, Article 103482. https://doi.org/10.1016/j.actpsy.2021.103482

    Open Access


  • Specker, E., Fried, E. I., Rosenberg, R., & Leder, H. (2021). Associating with art: a network model of aesthetic effects. Collabra: Psychology, 7(1), Article 24085. https://doi.org/10.1525/collabra.24085

    Open Access


  • Specker, E., Forster, M., Brinkmann, H., Boddy, J., Immelmann, B., Goller, J., Pelowski, M., Rosenberg, R., & Leder, H. (2020). Warm, lively, rough? Assessing agreement on aesthetic effects of artworks. PLOS ONE, 15(5), Article e0232083. https://doi.org/10.1371/journal.pone.0232083

    Open Access

Bücher und Buchbeiträge

  • Specker, E. (2025). Die Farbe der Gefühle: Eine psychologische Betrachtung. In L. F. Mattheis & J. Schmidt-Boddy (Hrsg.). Into the Dark – Grafik von Ensor bis Munch (S. 48-51). Saarlandmuseum – Moderne Galerie.

Sonstige Publikationen